Carol Watkins of Hinterland Ceramics was born in Cairns and took up pottery in 2003 towards the end of a busy career in Human Resource Management, which included running her own agency in Brisbane.
Carol's Story:
I work from my studio at home in the sunshine coast hinterland and do workshops with visiting tutors, something I particularly enjoy as I am able to learn new techniques and exchange ideas with other potters. I now make many of my own glazes and love the many challenges that pottery provides. ‘You just keep learning’ Surprisingly, pottery is quite technical’.
Alternative firing methods such as raku, smoke and saggar are probably my favourite mediums and processes. The origin of raku can be traced back to sixteenth century Japan and involves firing the glaze at a low temperature, removing pieces from the kiln while still glowing hot and introducing them into a reduction chamber containing combustible materials. Ignition produces a reducing (limited oxygen) atmosphere for the glaze with black carbon deposited on unglazed surfaces and in crackles in the glaze. Generally, one is never quite certain of the result, leading to a certain serendipity, which is part of the fascination I have with raku firings.
This serendipity is also part of the charm for me of saggar and smoke firings, as these results are glaze free and also quite unpredictable. Smoke firing is messy and the results can be quite joyous or disappointing. There is a lot of experimentation involved and the sense of anticipation can be immense.
There are a number of types of saggar firing where pots are usually burnished and fired within a variety of types of chamber. The results can be quite breathtaking. One thing can be guaranteed …….. no two pots will ever be exactly the same.’
My work has been exhibited at